Mujeres y hombres en la ficción televisiva norteamericana hoy

  1. María Isabel Menéndez Menéndez 1
  2. Francisco A. Zurian Hernández 2
  1. 1 Universidad de Burgos

    Universidad de Burgos

    Burgos, España


  2. 2 Universidad Complutense de Madrid

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Anagramas: Rumbos y sentidos de la comunicación

ISSN: 1692-2522

Year of publication: 2014

Volume: 13

Issue: 25

Pages: 54-61

Type: Article

DOI: 10.22395/ANGR.V13N25A3 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Anagramas: Rumbos y sentidos de la comunicación


Cited by

  • Dialnet Metrics Cited by: 21 (24-02-2023)


  • Social Sciences: C


Contemporary television fiction series is frequently described from concepts such as narrative risk, creativity, originality, and also transgression of technical and argumentative topics. However, some analyses conducted from epistemological non-hegemonic approaches, such as Gender Studies, feminist studies, studies on men and masculinity, LGBTI studies or Queer Theory, among others, have found that such transgressions are not always produced in relation to gender identities. Through a theoretical and aesthetic methodology, this article offers a tour through paradigmatic series with the purpose of making a reflection on the presence or absence of gender binary system