Blanco y negro:un lenguaje para la arquitectura de Antonio Fernández Alba
-
1
Universidad de Burgos
info
ISSN: 1133-6137
Year of publication: 2015
Issue: 26
Pages: 142-151
Type: Article
More publications in: EGA: revista de expresión gráfica arquitectónica
Abstract
Juan Daniel Fullaondo defined Antonio Fernández Alba as “a man of method and culture”, an architect who accompanied the process of his architectural development with an intense display of culture (1970, p. 3). The intellectual dimension of this architect has meant that his architecture and his written works, as well as his teaching labours, have been interpreted as the conscious evolution of a particular methodological investigation. So, the graphic expression of his architecture cannot be understood as merely the result of experimentation based on improvisation. In this study, I propose an aesthetic analysis of his architectural plans, in which the systematic investigation of a representative technique is shown that explored the formalization of his projects, through the contrasting duality of black and white that moves toward a coherent configuration of his architectural design.
Bibliographic References
- Arnheim, Rudolf, 1985 (1954). Arte y Percepción visual: psicología del ojo creador. Madrid: Alianza Forma
- Casado Martínez, Rafael, 2011. La sombra: forma del espacio arquitectónico. Sevilla: Universidad de Sevilla; Consejería de Obras Públicas y Vivienda de la Junta de Andalucía
- Deleuze, Gilles, 2007 (1981). Pintura. El concepto de diagrama. Buenos Aires: Cactus
- Fernández Alba, Antonio, 1968. “Énfasis plástico y obsesión tecnológica”. Arquitectura, 110:15-25
- Fernández Alba, Antonio, 2011. Autobiografía intelectual, en Antonio Fernández Alba: Premio Nacional de Arquitectura 2003. Madrid: Ministerio de Fomento
- Fullaondo, Juan Daniel, 1967. “El romanticismo de Antonio Fernández Alba”. Nueva Forma 15:33-40
- Fullaondo, Juan Daniel, 1970. “Fernández Alba, vía cultural”. Nueva Forma, 56: 3
- Gombrich, Ernst Hans, 1982 (1959). Arte e ilusión: Estudio sobre la psicología de la representación pictórica. Barcelona: Gustavo Gili
- González Capitel, Antón, 2008. “La Aventura Moderna de la Arquitectura Madrileña”, Lecciones de arquitectura moderna. Buenos Aires: Nobuko
- Montes Serrano, Carlos, 2010. “Un posible canon de los dibujos de arquitectura de la modernidad”, EGA revista de expresión gráfica arquitectónica, 16:44-51
- Wölfflin, Heinrich, 1970 (1941). Conceptos fundamentales en la Historia del Arte. Madrid: Espasa-Calpe
Portal documents are updated daily. This date refers to the updating of information related to the portal structure (people, research groups, organizational units, projects...).