Subjetividad y musicalidadde la Edad Media al Renacimiento

  1. Teófilo Sanz Hernández 1
  1. 1 Universidad de Burgos
    info

    Universidad de Burgos

    Burgos, España

    ROR https://ror.org/049da5t36

Journal:
Cuadernos del CEMYR

ISSN: 1135-125X

Year of publication: 2017

Issue: 25

Pages: 217-230

Type: Article

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Metrics

Índice Dialnet de Revistas

  • Year 2017
  • Journal Impact: 0.080
  • Field: HISTORIA Quartile: C3 Rank in field: 168/310
  • Field: HISTORIA ANTIGUA Y MEDIEVAL Quartile: C3 Rank in field: 24/36

CIRC

  • Social Sciences: D
    •
  • Human Sciences: D
    •

Abstract

Many of the modern ideas regarding new ways of creating, interpreting or listening to music as developed from the 17th century onwards were conceived in the Middle Ages through a process of musicality and subjectivity which reached its culmination in the Renaissance. This work studies how the music illustrating those ideas acquired a gradual autonomy in the mentioned period. The analysis of this fact is fundamental for the comprehension of musical thought in the Modern Age

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