Subjetividad y musicalidadde la Edad Media al Renacimiento

  1. Teófilo Sanz Hernández 1
  1. 1 Universidad de Burgos

    Universidad de Burgos

    Burgos, España


Cuadernos del CEMYR

ISSN: 1135-125X

Year of publication: 2017

Issue: 25

Pages: 217-230

Type: Article

More publications in: Cuadernos del CEMYR


Índice Dialnet de Revistas

  • Year 2017
  • Journal Impact: 0.080
  • Field: HISTORIA Quartile: C3 Rank in field: 168/310
  • Field: HISTORIA ANTIGUA Y MEDIEVAL Quartile: C3 Rank in field: 24/36


  • Social Sciences: D
  • Human Sciences: D


Many of the modern ideas regarding new ways of creating, interpreting or listening to music as developed from the 17th century onwards were conceived in the Middle Ages through a process of musicality and subjectivity which reached its culmination in the Renaissance. This work studies how the music illustrating those ideas acquired a gradual autonomy in the mentioned period. The analysis of this fact is fundamental for the comprehension of musical thought in the Modern Age