María de Zúñiga y Avellaneda, VI condesa de Miranda. Linaje, promoción artística y devoción en los umbrales del Barroco

  1. María José Zaparaín Yáñez
  2. Juan Escorial Esgueva
Libro:
El Barroco: Universo de Experiencias
  1. María del Amor Rodríguez Miranda (coord.)
  2. José Antonio Peinado Guzmán (coord.)

Editorial: Ayuntamiento de Córdoba ; Asociación Hurtado Izquierdo

ISBN: 978-84-617-8397-7

Ano de publicación: 2017

Páxinas: 203-226

Tipo: Capítulo de libro

Resumo

Throughout the sixteenth century, the counts of Miranda promoted the execution of many projects that ended setting the image of this important lineage. In the transition to Six hundred, the heir to the title, María de Zúñiga, taking as a reference to the role of some of her predecessors, did not live oblivious to those projects. Together with her husband, Juan de Zúñiga, she highlighted her exquisite sensitivity when concluding those works that, under the principle of decorum, were updated to suit new tastes. But all this was conditioned by their religious convictions in which the strictness of the Teresian mysticism rules to retreatment from the world, with the active approaches of the Jesuits, resulting in new foundations and the characteristics of her collections.