She's gotta have itrepresentativeness of Afro-American series as ESL intake in high school

  1. Saiz, Ariadna 1
  1. 1 Profesora
Journal:
Porta Linguarum: revista internacional de didáctica de las lenguas extranjeras

ISSN: 1697-7467

Year of publication: 2022

Issue: 37

Pages: 105-121

Type: Article

DOI: 10.30827/PORTALIN.VI37.22382 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Porta Linguarum: revista internacional de didáctica de las lenguas extranjeras

Abstract

Through the analysis of a corpus of 40 testimonies of adolescents in the 2nd year of Bachillerato about their consumption habits of series on platforms such as Netflix, in this paper we proceed to analyse the greater or lesser preference for different contents that refer to references beyond the mainstream. With the aim of getting closer to the network of beliefs that these students hold about television input as an acquisitive vector of English as an L2, a questionnaire was drawn up which, starting from their general consumption habits, leads to the English-speaking sphere and ends up focusing on the reception of the series Nola Darling by the Afroamerican director Spike Lee. The ultimate aim would be not to overlook these beliefs and representations, with a view to incorporating them into more inclusive and less segregated ESL curricula. The first results point to a preference for American vs European series, an idiomatic consumption of OV and a prevalence of WASP referents and contexts as an anchor with their generational community. In relation to the proposed pilot series, Nola Darling, traditional beliefs stand out, such as the association of marginality and precariousness with the Afroamerican female collective.

Bibliographic References

  • Bates, P. J. (2003). T-learning Study: A study into TV-based interactive learning to the home, Final Report, pjb Associates, UK. http://www.pjb.co.uk/t-learning/contents.htm
  • Benchimol, L. (2019). She’s gotta habit. Ética & Cine. Vol. 9, No. 3. pp. 21-24
  • Equipo Radar. (2017). Volver a tenerlo. Radar-Página12. https://www.pagina12.com.ar/81406-volver-a-tenerlo
  • Godwin-Jones, R. (2019). Riding the digital wilds: Learner autonomy and informal language learning. Language Learning & Technology, 23(1), 8–25. https://doi.org/10125/44667
  • Hughey, M. (2009). Cinethetic Racism: White Redemption and Black Stereotypes in "Magical Negro" Films, Social Problems, Volume 56, Issue 3, Pages 543–577, https://doi.org/10.1525/sp.2009.56.3.543
  • Jinadasa, M.P.K. (2015). Teen Culture: a Production of Modern Popular Television and New Media Texts. Peradeniya University International Research Sessions-2015. Volume 19, University of Peradeniya, Peradeniya, Sri Lanka.
  • Lee, S. y Lee, T. L. (productores). (2017-2019). She´s gotta have it [serie de televisión]. Estados Unidos: 40 Acres & A Mule Filmworks.
  • Markus, H. y Nurius, P. (1986). Possible selves. American Psychologist, 41(9), 954–969. https://doi.org/10.1037/0003-066X.41.9.954
  • Medina, P. y Rodrigo, M. (2009). Análisis de la estructura narrativa del discurso amoroso en la ficción audiovisual. Estudio de caso: Los Serrano y Porca Misèria. Revista Zer, 14(27), 83-101. http://www.ehu.eus/ojs/index.php/Zer/article/view/2400
  • Méndez-Rubio, A., y Rey-Segovia, A. (2019). Distopía, eutopía y crisis social en el cine mainstream (Los casos de Los juegos del hambre y Del revés). Revista Austral de Ciencias Sociales, (35), 83-98. https://doi.org/10.4206/rev.austral.cienc.soc.2018.n35-0
  • Pousa, L. (2019). Las plataformas y la creación de contenidos mainstream. Una aproximación a las nuevas ‘ficciones convergentes’. Secuencias, (47), 15–32. https://doi.org/10.15366/secuencias2018.47.004
  • Puebla-Martínez, B., y Mondelo González, E. (2020). Adolescentes en serie. Jóvenes protagonistas en la ficción televisiva. Fonseca, Journal of Communication, (21), 5. https://doi.org/10.14201/fjc202021710
  • Raya, Irene, Sánchez-Labella, Inmaculada, y Durán, Valeriano. (2018). La construcción de los perfiles adolescentes en las series de Netflix Por trece razones y Atípico. Comunicación y medios, 27(37), 131-143. https://dx.doi.org/10.5354/0719-1529.2018.48631
  • Redacción Canal Trece. (2021). Ocho series que retratan (y encaran) el racismo estructural https://canaltrece.com.co/noticias/ocho-series-que-retratan-y-encaran-el-racismo-estructural
  • Scollon, R. (1999). Mediated Discourse and Social Interaction, en Research on language and social interaction. Volume 32, numbers (1 y 2) Londres: LEA.
  • Sherrington, R. (1973). Television and Language Skills. Oxford, UK: Oxford University Press.
  • Sockett, G. (2013). Understanding the online informal learning of English as a complex dynamic system: An emic approach. ReCALL, 25(1), 48–62.
  • Soler Castillo, S. (2019) ¡Mira, un negro! Elementos para pensar el racismo y la resistencia. Bogotá: Universidad Distrital Francisco José de Caldas
  • Solés i Coll, G. (2017). She’s Gotta Have It’, la serie feminista, afrocéntrica y anti-gentrificación de Netflix que todos deberíamos ver https://www.wiriko.org/africa-diaspora/shes-gotta-have-it/