La adaptación al anime de los cuentos de hadas como herramienta de japonizaciónel caso de Belle

  1. Vicent-Ibáñez, Mireya 1
  2. Antona-Jimeno, Tamara 1
  3. Bonaut-Iriarte, Joseba 2
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

  2. 2 Universidad de Zaragoza
    info

    Universidad de Zaragoza

    Zaragoza, España

    ROR https://ror.org/012a91z28

Revista:
Con A de animación

ISSN: 2173-3511

Año de publicación: 2024

Título del ejemplar: Hechos virtuales

Número: 18

Tipo: Artículo

DOI: 10.4995/CAA.2024.19774 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Con A de animación

Resumen

La adaptación de cuentos de hadas permite mantener vivas las historias a lo largo del tiempo. En la actualidad también puede servir como una herramienta de japonización al permitir introducir elementos propios de la cultura nipona en historias originariamente occidentales. Esta investigación explora ese uso de la adaptación de los cuentos de hadas a través del análisis del anime Belle, basado en la clásica historia de La Bella y la Bestia. Mediante un análisis comparativo con la popular versión animada de Disney, se han identificado las divergencias más relevantes entre las dos obras. De esta manera, se ha comprobado cómo Belle introduce conceptos e ideas concretos que permiten acercar un imaginario concreto sobre Japón y su cultura.

Información de financiación

Financiadores

Referencias bibliográficas

  • BACCHILEGA, Cristina, 2018. "Adaptation and the Fairy-Tale Web", en GREENHILL, Pauline, RUDY, Jill Terry, HAMER, Naomi y BOSC, Lauren (eds.), The Routledge Companion to Media and Fairy-Tale Cultures, Nueva York: Routledge, pp. 145-153. https://doi.org/10.4324/9781315670997-16
  • CHUA, Beng Huat, 2007. "Conceptualizing an East Asian popular culture", en CHEN, Kuan-Hsing y CHUA, Beng Huat (eds.), The Inter-Asia Cultural Studies Reader, Londres: Routledge, pp. 115-139.
  • CUMMINS, June, 1995. "Romancing the Plot: The Real Beast of Disney's Beauty and the Beast", Children's Literature Association Quarterly, 20 (1), pp. 22-28. https://doi.org/10.1353/chq.0.0872
  • ELGER, Tony, SMITH, Chris (eds.), 1994. Global Japanization? The Transnational Transformation of the Labour Process, Londres: Routledge.
  • ELLWOOD, Gregory, 2022. "Mamoru Hosoda on Creating a Virtual Beauty and The Beast for Belle", The Playlist, enero, 2022 (https://theplaylist.net/mamoru-hosoda-belle-interview-20220117/ [acceso: marzo, 2023]).
  • FEDELE, Maddalena, PLANELLS-DE-LA-MAZA, Antonio-José y REY, Endika, 2021. "La ficción seriada desde el mitoanálisis: aproximación cualitativa a los argumentos universales en Netflix, Prime Video y HBO", Profesional de la información, Vol. 30(2), e300221. https://doi.org/10.3145/epi.2021.mar.21
  • GENETTE, Gèrard, 1989. Figuras III, Barcelona: Lumen.
  • IWABUCHI, Kioichi, 2019. "Media Culture Globalization and/in Japan", en SIGISMONDI, Paolo (ed.), World Entertainment Media: Global, Regional and Local Perspectives, Nueva York: Routledge, pp. 155-163. https://doi.org/10.4324/9781315106298-17
  • IWABUCHI, Kioichi, 2002. Recentering globalization: popular culture and Japanese transnationalism, Durham: Duke University Press. https://doi.org/10.1515/9780822384083
  • JOHNSON, David T., 2017. "Adaptation and Fidelity", en LEITCH, Thomas (ed.), The Oxford Handbook of Adaptation Studies, Oxford: Oxford University Press, pp. 87-100. https://doi.org/10.1093/oxfordhb/9780199331000.013.5
  • KATO, Hiloko, BAUER, René, 2021. "Mukokuseki and the Narrative Mechanics in Japanese Games", en SUTER, Beat, BAUER, Revé y KOCHER, Mela (eds.), Narrative Mechanics: Strategies and Meanings in Games and Real Life. Bielefeld: Transcript Verlag, pp. 113-150. https://doi.org/10.1515/9783839453452-006
  • KATO, Takahiro A., KANBA, Shingenobu, TEO, Alan R., 2018. "Hikikomori: experience in Japan and international relevance", World Psychiatry, Vol. 17, pp. 105-106 (https://onlinelibrary.wiley.com/doi/full/10.1002/wps.20497 [acceso: abril, 2023]). https://doi.org/10.1002/wps.20497
  • KOSTECKA, Weronika, MÍNGUEZ-LÓPEZ, Xavier, 2021. "Once Upon a Time in Japan: Adaptation Strategies in Grimm's Fairy Tale Classics Series", Marvels & Tales, Vol. 35(1), 109-128. https://doi.org/10.13110/marvelstales.35.1.0109
  • LEONG, Jane, 2011. "Reviewing the 'Japaneseness' of Japanese Animation: Genre Theory and Fan Spectatorship", Cinephile: The University of British Columbia's Film Journal, Vol. 7(1), pp. 19-24.
  • MANDUJANO SALAZAR, Yunuen Ysela, 2016. "El camino hacia una política de promoción cultural en el Japón contemporáneo y los inicios de una campaña de fortalecimiento de la identidad nacional", Estudios de Asia y África, 51 (1), pp. 77-104. https://doi.org/10.24201/eaa.v51i1.2183
  • MCGRAY, Douglas, 2002. "Japan's Gross National Cool. Foreign Policy", Foreign Policy, Vol. 130, pp. 44-54. https://doi.org/10.2307/3183487
  • MOLLET, Tracey, 2019. "The American Dream: Walt Disney's Fairy Tales", en TEVERSON, Andrew (ed.), The Fairy Tale and the World, Londres: Routledge, pp. 221-231. https://doi.org/10.4324/9781315108407-19
  • NAPIER, Susan, 2007. From Impressionism to anime: Japan as fantasy and fan cult in the mind of the West, Nueva York: Palgrave Macmillan.
  • NAPIER, Susan, 2011. "Manga and anime: entertainment, big business, and art in Japan", en LYON-BESTOR, Victoria, BESTOR, Theodore C. y YAMAGATA, Akiko (eds.), Routledge Handbook of Japanese Culture and Society, Canadá: Routledge, pp. 226-237.
  • NAPIER, Susan, 2015. "Not Always Happily Ever After: Japanese Fairy Tales in Cinema and Animation", en ZIPES, Jack, GREENHILL, Pauline y MAGNUS-JOHNSTON, Kendra (eds.), Fairy-Tale Films beyond Disney: International Perspectives. Nueva York: Routledge, pp. 166-179.
  • NOGUCHI, Yoshiko, 2015. "Influences of Victorian Values on Japanese Versions of Grimms' Fairy Tales", Fabula, Vol. 56, pp. 67-78. https://doi.org/10.1515/fabula-2015-0004
  • OKUYAMA, Yoshiko, 2015. Japanese Mythology in Film: Japanese Mythology in Film a Semiotic Approach to Reading Japanese Film and Anime, Lanham: Lexington Books.
  • POITRAS, Gilles, 2008. "Contemporary Anime in Japanese Pop Culture", en MACWILLIAMS, Mark Wheeler (ed.), Japanese Visual Culture: Explorations in the World of Manga and Anime, Nueva York: Routledge, pp. 48-67.
  • QUINTAROS-SOLIÑA, Alba, 2014. "Contemporary Japanese Folktales Represented in Anime: the Paradigmatic Case of InuYasha", en WARNER, Marina (ed.), Once Upon a Time: A Short History of Fairy Tale. New York, Nueva York: Oxford University Press, pp. 273-285.
  • RYŪHEI, Hirota, 2021. "Traversing the natural, supernatural, and paranormal: yōkai in postwar Japan", Japanese Journal of Religious Studies, Vol. 48 (2), pp. 321-339. https://doi.org/10.18874/jjrs.48.2.2021.321-339
  • SANDERS, Julie, 2015. Adaptation and appropriation (2a ed), Londres: Routledge. https://doi.org/10.4324/9781315737942
  • SEGURA ZARIQUIEGUI, Ainhoa, 2019. "Los Dragones En La Cultura Occidental Y En La Oriental: Dos Cuentos Tradicionales, San Jorge Y El dragón Y La Perla Y El dragón", en Pangeas. Revista Interdisciplinar de Ecocrítica, 1, pp. 44-50. https://doi.org/10.14198/Pangeas2019.1.04
  • SHAMOON, Deborah, 2013. "The Yōkai in the Database: Supernatural Creatures and Folklore in Manga and Anime", Marvels & Tales, Vol. 27 (2), pp. 276-289. https://doi.org/10.13110/marvelstales.27.2.0276
  • STEEN, Emma, 2021. "Japanese anime Belle receives a 14-minute standing ovation at Cannes", en Time Out, junio, 2022 (https://www.timeout.com/tokyo/news/japanese-anime-belle-receives-a-14-minute-standing-ovation-at-cannes-071921 [acceso: marzo, 2023]).
  • STEINHOFF, Heike, 2017. "'Let It Go'? Re-Inventing the Disney Fairy Tale in Frozen", en REINHARD, Carrie Lynn y OLSON, Christopher J. (eds.), Heroes, Heroines, and Everything in Between: Challenging Gender and Sexuality Stereotypes in Children's Entertainment Media, Londres: Lexington Books, pp. 159-176.
  • SUTER, Rebecca, 2008. The Japanization of modernity: Murakami Haruki between Japan and the United States, Cambridge: Harvard University Asia Center. https://doi.org/10.2307/j.ctt1tg5qbq
  • TATAR, Maria, 1992. Off with their heads! Fairy tales and the culture of childhood, Princeton: Princeton University Press. https://doi.org/10.1515/9780691214818
  • TRINQUET, Charlotte, 2008. "Sociohistorical Approaches", en HAASE, Donald (ed.), The Greenwood Encyclopedia of Folktales and Fairy Tales, Westport, Connecticut: Greenwood Press, pp. 887-890.
  • WEBSTER, Andrew, 2022. "Belle director Mamoru Hosoda on creating a metaverse fairy tale", The Verge, enero 2022, (https://www.theverge.com/22866629/belle-mamoru-hosoda-director-interview [acceso: marzo, 2023]).
  • WOOD, Stephen J., 1991. "Japanization and/or Toyotaism?", Work, Employment and Society, Vol. 5(4), pp. 567-600. https://doi.org/10.1177/0950017091005004006
  • YOSHINAGA, Ida, 2018. "Convergence Culture: Media Convergence, Convergence Culture and Communicative Caoitalism", en GREENHILL, Pauline, RUDY, Jill Terry, HAMER, Naomi, BOSC, Lauren (eds.), The Routledge Companion to Media and Fairy-Tale Cultures, Nueva York: Routledge, pp. 161-170. https://doi.org/10.4324/9781315670997-18
  • ZIPES, Jack, 2016. "The Great Cultural Tsunami of Fairy-Tale Films", ZIPES, Jack, GREENHILL, Pauline y MAGNUS-JOHNSTON, Kendra (eds.), Fairy-Tale Films beyond Disney: International Perspectives, Nueva York: Routledge, pp. 1-18. https://doi.org/10.4324/9781315885629
  • ZIPES, Jack, 2015. "Introduction", en ZIPES, Jack (ed.), The Oxford Companion to Fairy Tales, Oxford: Oxford University Press, pp. xv-xxxii. https://doi.org/10.1093/acref/9780199689828.001.0001
  • ZIPES, Jack, 2012. The Irresistible Fairy Tale: the Cultural and Social History of a Genre, The Irresistible Fairy Tale: The Cultural and Social History of a Genre, Princeton: Princeton University Press. https://doi.org/10.23943/princeton/9780691153384.001.0001
  • ZIPES, Jack, GREENHILL, Pauline, MAGNUS-JOHNSTON, Kendra (eds.), 2016. Fairy-tale films beyond Disney: international perspectives, Nueva York: Routledge. https://doi.org/10.4324/9781315885629