La estética musical de Héctor Berlioz a través de sus textos

  1. García Revilla, Enrique
Dirigida per:
  1. Teófilo Sanz Hernández Director/a

Universitat de defensa: Universidad de Burgos

Fecha de defensa: 21 de de juny de 2012

  1. Antonio Altarriba Ordóñez President/a
  2. Gloria Díez Abad Secretari/ària
  3. Lydia Vázquez Jiménez Vocal
  4. Mihaela Doina Popa Liseanu Vacarú Vocal
  5. Inés Praga Terente Vocal

Tipus: Tesi

Teseo: 348777 DIALNET lock_openRIUBU editor


According to Théophile Gautier, a Trinity of artists arises in the Romantic period in France: It is made up by Hector Berlioz, Délacroix and Victor Hugo. The first of them, well known as a composer, showed a natural feeling for literature. Undoubtedly, Berlioz stands out as the most accomplished writer among composers, far beyond Tchaikovsky, Schumann or Wagner. Nevertheless, he never meant to establish a philosophical system. In any way did Philosophy as a discipline attract him. Thus, we have proceeded in this Doctoral Thesis through a thorough study of his texts, to select, analyze and compare his aesthetic opinions, scattered here and there through thousands of written pages, with the aim of devising for the first time a Berliozian philosophical system on music.