La estética musical de Héctor Berlioz a través de sus textos

  1. Enrique García Revilla
unter der Leitung von:
  1. Teófilo Sanz Hernández Doktorvater

Universität der Verteidigung: Universidad de Burgos

Jahr der Verteidigung: 2012

  1. Antonio Altarriba Ordóñez Präsident/in
  2. Gloria Díez Abad Sekretärin
  3. Lydia Vázquez Jiménez Vocal
  4. Mihaela Doina Popa Liseanu Vacarú Vocal
  5. Inés Praga Terente Vocal
  1. Filología

Art: Dissertation

Teseo: 348777 DIALNET lock_openRIUBU editor


According to Théophile Gautier, a Trinity of artists arises in the Romantic period in France: It is made up by Hector Berlioz, Délacroix and Victor Hugo. The first of them, well known as a composer, showed a natural feeling for literature. Undoubtedly, Berlioz stands out as the most accomplished writer among composers, far beyond Tchaikovsky, Schumann or Wagner. Nevertheless, he never meant to establish a philosophical system. In any way did Philosophy as a discipline attract him. Thus, we have proceeded in this Doctoral Thesis through a thorough study of his texts, to select, analyze and compare his aesthetic opinions, scattered here and there through thousands of written pages, with the aim of devising for the first time a Berliozian philosophical system on music.